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1869

Monkey in a Studio

Antoine Vollon

French, 1833 - 1900

In this study of an artist's studio, Vollon creates an allegory of the liberal arts. The score and trumpet represent music, the books philosophy, the canvas on the easel painting, and the various works scattered throughout the studio sculpture. At the rear are casts from Michelangelo's Medici tombs in Florence, and of Minerva, the Roman goddess of the arts. In depicting a monkey as an artist, Vollon evokes a seventeenth-century Dutch tradition of satirizing the artist as imitator of nature, or "art as the ape of nature."

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Resources

The John G. Johnson Collection: A History and Selected Works

This online scholarly publication examines one of the finest collections of European art ever to have been formed in the United States by a private collector.
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