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1271-1368

Guanyin Seated in Royal Ease

Artist/maker unknown

This sculpture, with its relaxed pose and serene expression, makes it is easy to understand why Guanyin, the Bodhisattva of Compassion, was one of the most popular and widely worshiped Buddhist deities in China. As with other bodhisattvas, Guanyin delayed her own enlightenment in order to help others.

The name of this particular representation, Water Moon Guanyin, appears after the 1100s and refers to a chapter in the Avatamsaka Sūtra (Flower Garland Sutra). The text tells how Guanyin sits in a rocky grotto meditating on the reflection of the moon on the water, a metaphor for the illusory nature of all things and a reminder not to be overly attached to earthly matters.

On the figure’s back is a rectangular opening where relics and other holy materials would have been consecrated in order to “activate” the deity.

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Resources

Seated Guanyin

This wooden sculpture depicts the Buddhist figure Guanyin (KWAN–in), an enlightened being called a bodhisattva (bo–dee–SAHT–vah).
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Art of China Teacher Resources

This teaching resource highlights fifteen works of art that reflect the diversity of the Philadelphia Museum of Art's collection and exemplify five important historical themes.
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Art of China classroom presentation

This teaching resource highlights fifteen works of art that reflect the diversity of the museum’s collection and exemplify five important historical themes: religious beliefs, belief in the afterlife, exchange between China and the West, reverence for the natural world, and auspiciousness. These themes and the objects that represent them do not exist in isolation but are deeply interwoven in the fabric of Chinese history and culture.
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Artist/maker unknown, Guanyin Seated in Royal Ease, 1271-1368 | Philadelphia Art Museum