Skip to Main Content

Open today: 10am-5pm

1959

Groundhog Day

Andrew Newell Wyeth

American, 1917 - 2009

Andrew Wyeth shared the realist approach of many mid-twentieth-century painters of the American scene, although his process of simplification and synthesis often led to haunting, surrealist effects. His picture of his neighbor Karl Kuerner’s light-filled kitchen holds an air of something missing. Wyeth explained that the painting was about “the winter light, the dishes ready for Karl Kuerner’s lunch—that is, peace, yes, but to me behind it is violence suppressed.”

The snarling log outside the window, like the knife on the table, connected in the artist’s mind to Kuerner’s wartime experience, his violent dog, and his strong hand on the entire farm. Said Wyeth, “I wanted to get down to the very essence of the man who wasn’t there.”

This record is part of an ongoing effort to share accurate and evolving information. If you notice anything we should improve, we welcome your feedback at [email protected]

Images on this site are shared for educational use. For image rights, permissions, or to learn more about image rights and access, email [email protected]

Resources

Custom Prints for "Groundhog Day" (57405)

View Resource
Andrew Newell Wyeth, Groundhog Day, 1959 | Philadelphia Art Museum